MoviePro for iOS: How to set 180-degree shutter, framerate and more
I first became aware of MoviePro’s advantages over FiLMiC Pro from Cielo de la Paz of The Storyographist. She...
Creating Color Contrast Looks in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to use the extensive new color...
Entrepreneurialism: Taking the Leap
Today we’re walking about how to build a business, an unusual topic for PVC to be sure. You can...
How to pick a handheld digital mic for a smartphone/tablet
Frequent readers know I review lots of microphones and audio interfaces, among many other things. One of the fastest-growing...
Let’s Edit with Media Composer – Chroma Keying Part 2 – SpectraMatte
In this lesson, Kevin P McAuliffe continues the discussion on Chroma Keying by talking about the SpectraMatte effect.
The Best of ProVideo Coalition: 2017
2017 saw a number of major developments for the industry as a whole, and many of those updates were...
Review: Sennheiser HandMic Digital with “secret” hardware limiter
The HandMic Digital from Sennheiser is the only dynamic mic I’ve encountered that ships with a Lightning cable, since...
Let’s Edit with Media Composer – FrameFlex and Larger than HD Image Sequences
In this lesson, Kevin P McAuliffe answers a viewer question about working creating Pan & Zooms with image sequences...
Directly attach iRig Pre HD to an ENG omni dynamic mic
After my review of the Senal ENG-18RL omnidirectional dynamic microphone for ENG (electronic news gathering) in 2016, my friend...
Combating Computer Vision Syndrome
More than anything, editors and motion graphic designers have one tool that more important than anything, and that is...
