TV/Film Production Realities in the Scripted and Unscripted Worlds: Part 6, Post-production
Whether it’s in Scripted or Unscripted, post-production is considered the final “writing” layer of the filmmaking process. As such,...
Art Of The Cut Podcast Eps. 59 (“The Old Guard” Editor Terilyn A. Shropshire, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Useful Tools for Editors: Still Masked Edition
It’s hot, it’s muggy and we’re still having to be socially distant or staying at home or quarantined depending...
ART OF THE CUT with “The Old Guard” editor, Terilyn Shropshire, ACE
I had the good fortune of meeting Terilyn Shropshire, ACE, when I moderated a fantastic roundtable discussion that was...
After Effects Classic Course: Warp Stabilizer
We’re back, and continuing with sharing movies we created for earlier versions of After Effects that are no longer...
Animating a 3D Camera in Motion
This week on MacBreak Studio, I demonstrate how easy and downright fun it is to animate a camera in...
ART OF THE CUT with Showtime’s “Homeland” editor, Harvey Rosenstock, ACE
Today’s interview is with Harvey Rosenstock, ACE. We’re discussing his editing on multiple seasons of Showtime’s long-running series, Homeland,...
Art Of The Cut Podcast Eps. 58 (“Homeland” Editor Harvey Rosenstock, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car,...
What Adobe is working on: Have machines finally learned how to rotoscope?
Adobe has been bringing performance improvements thick and fast of late, with new GPU hardware acceleration for Windows in...
Is the film industry really ready for 12K? What it takes to create impressive sensors for cinema cameras
Recent insights about the RED Komodo 6K S35 have gotten lots of cinematographers excited, but the new URSA Mini...
