ART OF THE CUT with Showtime’s “Homeland” editor, Harvey Rosenstock, ACE
Today’s interview is with Harvey Rosenstock, ACE. We’re discussing his editing on multiple seasons of Showtime’s long-running series, Homeland,...
Art Of The Cut Podcast Eps. 58 (“Homeland” Editor Harvey Rosenstock, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car,...
What Adobe is working on: Have machines finally learned how to rotoscope?
Adobe has been bringing performance improvements thick and fast of late, with new GPU hardware acceleration for Windows in...
Is the film industry really ready for 12K? What it takes to create impressive sensors for cinema cameras
Recent insights about the RED Komodo 6K S35 have gotten lots of cinematographers excited, but the new URSA Mini...
ART OF THE CUT Congratulates 2020 Emmy Editing nominees
Congratulations to all of the editors who were just nominated for Primetime 2020 Emmy Awards. Many have been on...
Foreign language editing using SRT files
My new film The Right Girls is coming out soon. It is about three transgender women who were part...
ART OF THE CUT with Hervé Schneid, ACE, editor of ZeroZeroZero
In this interview, I’m talking with Hervé Schneid, ACE. We’re discussing his editing of the eight-episode Amazon Prime TV...
Art Of The Cut Podcast Eps. 57 (“Zero Zero Zero” Editor Herve Schneid, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Review: Postlab
Once again I begin an article talking about the renewed interest in remote and collaborative editing. In the time...
The heat is on with Canon’s new EOS R5
Some people are asking why Canon’s new EOS R5, in some modes, suffers heat-limited recording times. Part of the...
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Oppo Find X10 Pro Max: triple 200MP camera cluster and 8K video
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