ART OF THE CUT Congratulates 2020 Emmy Editing nominees
Congratulations to all of the editors who were just nominated for Primetime 2020 Emmy Awards. Many have been on...
Foreign language editing using SRT files
My new film The Right Girls is coming out soon. It is about three transgender women who were part...
ART OF THE CUT with Hervé Schneid, ACE, editor of ZeroZeroZero
In this interview, I’m talking with Hervé Schneid, ACE. We’re discussing his editing of the eight-episode Amazon Prime TV...
Art Of The Cut Podcast Eps. 57 (“Zero Zero Zero” Editor Herve Schneid, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Review: Postlab
Once again I begin an article talking about the renewed interest in remote and collaborative editing. In the time...
The heat is on with Canon’s new EOS R5
Some people are asking why Canon’s new EOS R5, in some modes, suffers heat-limited recording times. Part of the...
Workflow From Home Web Series with Frame.io
I first learned about the Workflow from Home web series from Frame.io when Ep 5 – Conan O’Brien in...
Art Of The Cut Podcast Eps. 56 (“Hamilton” Editor Jonah Moran)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Let’s Edit with Media Composer – Interface Overview & Basic Settings
Hey Everyone, It’s time, once again, for another “Let’s Edit” tutorial, and this time we’re onto lesson 3 of...
ART OF THE CUT with the editor of Hamilton
Hamilton may have upstaged Star Wars as Disney+’s most compelling content. Turning the blockbuster Broadway hit into must-see TV...
