News
Aputure STORM Parallel Beam 70 for the STORM XT52
A precision-engineered 70cm parallel beam modifier, the Aputure STORM Parallel Beam 70 delivers an intense and focused beam of...
Post Production
DaVinci Resolve Studio used for hybrid film Ordures
Blackmagic Cloud enabled a live action unit in Paris, a stop motion and live action team in Valence, and a VFX team...
News
Canon updates firmware for multiple cameras and lenses
From a new advanced panning assist function on the EOS R1 to a password setting function requested by European...
Pro Photo
HARMAN Phoenix II: an updated colour negative film
Available in both 35mm and 120 formats, the new film is built on a completely new emulsion. It offers...
News
Griffin Media launches dedicated digital streaming desk
Griffin Media is ushering in a new era of local news delivery with the launch of a dedicated digital...
News
Samyang expands Prima series with two lightweight lenses
Samyang continues to develop its innovative Prima series with the release of two new autofocus lenses: the AF 16mm...
News
DigitalGlue to show creative.space at RED Digital Cinema event
Designed to streamline demanding broadcast and cinematic workflows, creative.space enables production teams to move effortlessly from ingest through delivery…...
News
2026 Sundance Film Festival: the last edition in Utah
The 2026 Festival in Park City and Salt Lake City, Utah, from January 22–February 1 is one event to...
Post Production
Samsung Galaxy Z Fold7 expands your workspace for editing
Featuring the first 200MP wide-angle camera in the Galaxy Z series, the new Galaxy Z Fold7 also puts a...
Production
How Yamit Shimonovitz used Zeiss lenses for “Spy High”
For the Amazon’s series honored with the TV Premiere Audience Award at SXSW 2025 Yamit Shimonovitz used Zeis Supreme...
