Are you a colorist who wants to have an impressive looking color grading panel but you can’t afford the cost of a full $30,000 Davinci Resolve Advanced control surface? Do you have a set of Tangent Element panels that you’d like to give a cozy home? Then the Rageboard might be just for you. If you remember […]
Month: August 2016
Cut like an Oscar Winner
I train professional editors all over the world and one of the fundamentals that I push is to do as much editing with the keyboard as possible. This helps with speed and with keeping your mind on the footage instead of the mouse-clicks. With your hands on the keyboard, muscle memory takes over and you […]
28 Days of Cinematography Insights Redux – Day 20 – Changes and alterations in post
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC team wanted to rerun this series for our readers along with some new questions and answers, so stay tuned for a few entries at the […]
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Pokémon Go and Interactive Dynamic Video
You may not be interested in Pokémon Go, but I am sure you’ll want to see the video created by Abe Davis showing how much better that game could be, if it used Interactive Dynamic Video. But there is more to see in the video, and it is related to sound and vision and new […]
Samyang AF 14/2.8 for Sony E mount
The new Samyang AF 14/2.8 FE for Sony E mount mirrorless cameras with full frame sensor size is the widest angle available in the market in its class, broadening the sight of photographers to capture the world. Samyang continues their Summer Blockbuster Series with this new lens, which follows the recent availability announcement of Samyang […]
28 Days of Cinematography Insights Redux – Day 19 – Lighting techniques and color details
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC team wanted to rerun this series for our readers along with some new questions and answers, so stay tuned for a few entries at the […]
A camera profile for the Zenmuse X5
As the other camera profiles from FilmConvert, the profile for the Zenmuse X5 is designed to allow users to create beautiful, cinema-quality images with a few simple clicks. These Camera Packs need the latest version of FilmConvert for full compatibility. The profile for the Zenmuse X5 is the third camera profile from FilmConvert for products […]
Wipster Review Panel for After Effects
The Wipster Review Panel, which was released for Adobe Premiere Pro earlier this year, is now available for After Effects, allowing animators, editors, and VFX artists to share their work with clients and team members for review, without ever leaving After Effects. What if After Effects was more than just your go-to compositing, motion graphics […]
EditFest 2016: Cult Film Favorites with the American Cinema Editors
What does it mean to edit a cult classic? Does an editor go into a project thinking or knowing what they’re working on is going to be a cult classic? What makes an editor want to be part of a cult classic? These were just some of the questions that were discussed during the Cult […]
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28 Days of Cinematography Insights Redux – Day 18 – Is silhouetting more about a fit for the story or an opportunity presented by a set/location?
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC team wanted to rerun this series for our readers along with some new questions and answers, so stay tuned for a few entries at the […]