Post Production

Cut like an Oscar Winner

Pietro Scalia’s Avid Keyboard layout

I train professional editors all over the world and one of the fundamentals that I push is to do as much editing with the keyboard as possible. This helps with speed and with keeping your mind on the footage instead of the mouse-clicks. With your hands on the keyboard, muscle memory takes over and you can work like a concert pianist.

I’m working on a new book and I came across the keyboard settings for Pietro Scalia and for his Additional Editor on “The Martian,” Cheryl Potter.

KeyboardSettings_Pietro

Pietro’s keyboard is very close to the standard Avid keyboard.

Cheryl’s is similar to Pietro’s. This is a good thing in case one editor jumps onto another editor’s system and starts hitting keys by habit without switching user settings. But you’ll notice that Cheryl has added a bunch of additional keys, especially to her function keys and shifted keys.

KeyboardSettings_Cheryl

Things I notice about her layout are a number of different colored markers on the F10-F12 keys as well as on her shifted keyboard (below) on F5-F8. Also on F9 is one of my favorite keys for fast trimming, the Extend key. Also keystrokes for Add Edit on F8, Matchframe on F7 and Find Bin on F6. I also map Matchframe and Find Bin close to each other on my own keyboard. As a matter of fact, on mine I have Matchframe on F and Find Bin on shift-F. She has also put Matchframe on the Tab key and Reverse Matchframe to the tilde key above the Tab key.

Here is her “shifted” keyboard.

KeyboardSettings_Cheryl_SHIFT

The interesting ones to note here are on F9 – F 12:

F9 – Fit to fill – which allows you to set ins and out in your sequence and ins and outs of a different length in your source and calculate an automatic slo-mo or speed-up to fit the source footage into the sequence as marked with the in and out.

F10 – Bin Text view

F11 – Bin Frame view

F12 – Bin Script view.

Also, on the ASZ and X keys are toggles for Avid’s SmartTools. These are keyboard shortcuts I have highly recommended since Avid added the SmartTools to Media Composer. Having the ability to enable or disable the SmartTools from the keyboard vastly improves speed when manipulating transitions and clips in the timeline.

Cheryl also has T1 – T8 added to her shifted numerical keys above the QWERTY keyboard. This allows her to jump to specific timeline views at the touch of  a button. With the highly complex timelines she deals with, it’s necessary to be able to minimize or customize the specific information being presented in the timeline for specific functions.

One final thing to note is her addition at shifted Q and W of “Go to Previous Marker” and “Go To Next Marker.”

To read more about Pietro and Cheryl’s editing styles and methodologies, check out their Art of the Cut interviews with these links: PIETRO and CHERYL.

For more great editing information and interviews check out THIS LINK and follow me on Twitter @stevehullfish

 


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Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured…

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scottsimmons
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scottsimmons

Steve, if your Matchframe is on F, where is your clear IN and clear OUT?

Steve Hullfish
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Steve Hullfish

I have a very very tight cluster of the most important editing buttons. ,./ are my JKL keys. l; are my Mark In and Mark Out buttons. iop[ are the editing buttons (insert, overwrite, lift, extract. The m key is my Mark Clip button and the shift-M is clear Mark Clip (in/out). Then shift l; are clear in and clear out separately. I also have a render in to out button and shift-F is Find Bin. Then all of my numeric QWERTY keys are my toggle tracks for audio (1-8) and video (9-=)… there are others of course. Up arrow… Read more »

Federico Ondarts
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Federico Ondarts

I love seein how other editors have there shortcuts. Can you do an article about premiere pro editors? It really helps to improve. Thanks