Sony FX5 Hands-On Honest Review
Sony is positioning the new FX5 as a compact cinema camera, and after spending a day shooting with it...
A Morning of Rs, Vs, 6s, and 7s
Exactly 24 days after NAB Show Vegas and 24 days ahead of Cine Gear 2026 in Los Angeles, both...
Sigma Shows Out with New Lenses at Cinegear Atlanta
Pro Video Coalition sent contributor Alec C. Cohen to Cinegear Expo Atlanta to document some exciting industry developments. At CineGear...
The Sony BURANO is Here
According to its tourism website, Burano is a Venetian island known for its colors and artistry. It makes sense,...
Is Sony’s Ci the Right Choice for Your Cloud Workflow or Production Collaboration?
As a single cloud-native platform designed to eliminate redundancies and streamline media workflows, Ci® would seem to be the...
NAB: Quick notes from Sony
Sony’s Sunday press conference covered quite a few things. I’ll focus on just a few. New Cameras Sony’s Peter...
Sony VENICE – Something Rather Remarkable
The new $42,000, full-frame Sony VENICE debuted on the Sony Pictures lot at the beginning of September and it...
Kicking the tires on Sony’s New 10-Year SSD
A Drive For All Reasons Writing about hard drives like writing about tires. You need tires, good ones. The...
Small Camera, Big Picture – Producing a Dream with the Sony a6300
Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with...
Golf Channel’s Sony PetaSite Storage
With the help of Sony, NBC’s Golf Channel can tee up the archive, drive home the petabytes and nail...
