Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
The Panavision Millennium DXL: Light Iron and RED create a winning new look for large format cinematography
My invitation to a mysterious press event was nearly one of the biggest surprise announcements of the year. That morning...
Key Code Media announces Mike Flanagan will run new education division
With offices throughout the United States, Key Code Media is able to sell and support live production, editorial and...
NAB 2015: Litepanels Caliber System
The best light kit is the one that makes it off the truck. In this case, Litepanels Caliber system...
Blackmagic URSA PL Review
The Blackmagic URSA should be a great camera. It boasts a 10 inch built-in monitor, 80FPS in 3:1 4K,...
Pro XAVC Long GOP compatibility bulletin 2015.1
I recently published an article about the breakthrough pro XAVC Long GOP códec/format from Sony, which is the third...
HPA Tech Retreat: Registration Closes on Monday
If you’ve been thinking about attending the HPA Tech Retreat in Palm Springs, February 9-13, better make up your...
Sony FS-7 Gets A Firmware Update
In the FS-7 firmware V2.0 the versatile camera will add 4K (4096×2160) recording in XAVC-I which is an improvement...
Codex Multi-Camera Recorder
Alongside the launch of the exciting looking ARRI ALEXA Mini a few days ago, long-time ARRI partner Codex, revealed...
Understanding & using the breakthrough XAVC Long GOP códec/file format
Back in 2012, Sony deployed the first version of XAVC, one that can offer color depths of 8-bit,...
