Sports Solutions white paper for NewTek LatAm/EMEA
After the great popularity of the NewTek New Scopes white paper I published for NewTek US, the Latin American...
In Guatemala, Shogun reverses 29.97PsF pulldown for 8-camera live-switched show via Datavideo HS2800
Staff/HDTV in Guatemala really wanted to record pure progressive 1080/29.97p for its multi-camera TV shoots. They strongly considered NewTek’s...
Dynamic Trimming in Final Cut Pro X
What is dynamic trimming, anyway? There has been a lot of discussion on this topic lately, and today Steve...
Have I Finally Perfected My Backup Strategy?
Like many people, I’ve struggled over the years to find the perfect backup solution for all of my digital...
I am a Bird
This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage...
Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X
Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine...
The Compound Clip Conundrum
Handles? We don't need no stinkin' handles! That's what a compound clip in Final Cut Pro X might say...
Allan Tépper to give 4 tech seminars in México City
From January 26–29, I’ll be giving four tech seminars in México City. Actually, three of the four will be...
First look: Cinema FV–5 for Android, similar to FiLMiC Pro for iOS
I recently covered how proper digital USB audio is coming to Android (link ahead), which means that iOS devices...
Sync-N-Link X for Final Cut Pro X
Why would you want a separate app to sync audio and video clips? This week on MacBreak Studio, Sam...
PVC Favorites
Post Production
REVIEW: END BOOST – audio mixing made easy
Production
Review: Blazar Remus 1.5x anamorphic lenses
Production
