Manfrotto Pro Light Cinematic Camera Bags Review: Balance and Expand
Do you ever feel like you spend more time carrying your gear from point A to point B, or...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
NAB 2018: Panasonic Shows Off Cine Live For VariCam LT
Netflix, Amazon, and everyone else who wants to record a 4K live multi-camera event or show while retaining Panasonic’s Super35mm...
NAB 2018: ARRI Shows Off Largest and Brightest SkyPanel with the S360
This is one big light source was my first thought. At NAB 2018 the ARRI SkyPanel quite literally lite...
NAB 2018: ARRI Signature Prime Lenses for ARRI ALEXA LF
ARRI Signature Primes were designed in conjunction with the ARRI ALEXA LF large format digital cinema camera and are meant...
NAB 2018: Panasonic Shows off AU-EVA1 Firmware 2.0
Since the mysterious shroud of NAB convention 2017, the Panasonic AU-EVA1 has made quite a splash with its high-resolution 5.7K...
NAB 2018: CTpro for iPhone
NAB’s first day saw the release of CTpro, an integrated iPhone News Gathering app from France. CTpro lets you...
NAB 2018: Sigma Shows Off 105mm f1.4 and 70mm Macro.
At NAB 2018 Sigma showed me their new 70mm macro lens and their new 105mm f1.4 which they are...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
NAB 2018: Blackmagic Design Releases DaVinci Resolve 15 Video
Let’s not underestimate anything here. Let’s also steer away from hyperbole too. It’s a gentle balance really… This DaVinci...