Color Management Part 2: Newton’s Prisms
Color management may not be fun, but we once we break the topic down into small parts it becomes...
Color Management Part 1: The Honeymoon is over.
Welcome to the first part of my new series on color management. Although it’s exciting to launch a new...
Understanding Premiere Pro’s Color Management
Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...
Trusting Apple Displays?
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an...
Color Management for Dummies
Color management is a chaotic web of confusion for many artists. Most of this is a result of industry...
iOS 9.3’s Night Shift: warming screens everywhere, messing up your color work
At yesterday’s Apple event Apple released an update to iOS taking it to version 9.3. With that version comes Night...
DaVinci Resolve 12.2 Update & Price Drop
First Blackmagic Design’s DaVinci Resolve 12 appears on Mac’s App Store with a new lower price. Then Blackmagic announces...
Delivering an All-in-One Production/Post Solution to the Chinese Market and Beyond
You don’t have to look too far to realize the power of the Chinese marketplace. Jurassic World just had...
After Effects and Alexa – The Expurgated Version
OK so you’ve got some Arri Alexa footage in Log C format, and it looks funny in After Effects....
After Effects and Alexa – Part 2
The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called...