CAMERA REVIEW
Panasonic AG-CX350 4K Single-Lens Camera Review
I was sent a camera. It has a 5170 x 2908 sensor. Records internal 4K at 4:2:2 in 10-bit as well as being able to record 4K…
Sony 4K PTZ BRC-X1000 and BRC-H900: REVIEW
Sometimes you cannot get a camera and a camera operator in the right position to get the shot. For an undefined number of reasons sometimes a production has some sort…
Review: The Canon XF705 4K Camcorder
The Canon XF705 is the flagship XF camcorder for Canon and it deserves the placement admirably. The 1″ sensor XF-HEVC H.265 Pro Camcorder packs an Ultra High…
Blackmagic Design Pocket Cinema Camera 4K Review
Is the Blackmagic Design Pocket Cinema Camera 4K their best camera to date? I hope we will find this out together so let’s break it down. What criteria…
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the Sony FS5 Mark 2 is a different color (black) from the…
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in a wholly different direction with the smaller sized sensor URSA…
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an upgradable option to 4K for those newsrooms who are currently…
Panasonic AJ-PX230 Camera Review
Panasonic continues to deliver what Broadcasters are looking for with the single-lens AJ-PX230 camera. Simple, easy to use by a layman/laywoman feels like the theme of the…
Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve shot on to date except…
4.6K Blackmagic URSA Mini Review
We’ve been waiting on this camera, and this sensor, for almost a year. We saw many Beta testers out in the wild. We pined for 4.6K footage…
