Sony FX3
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Wilt Verit

The deal-breaker on this camera is the 4K full-frame sensor. This gives you no way to shoot proper cinema-sized images in 4K, and results in the overly-shallow depth of field mentioned here.

Too many people are ignorant of the fact that “full-frame” refers to STILL cameras, not motion-picture cameras. 35mm cinema cameras shoot Super35 (essentially APS-C)-sized images. So if you want cinematic DOF and lens selections, you should be shooting a Super35-sized image.

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