Attending Camerimage in Toruń, Poland this November? Want to talk about your use of ACES (the Academy Color Encoding...

Welcome to The Angry Editor.  For years I’ve teased the idea of The Angry Editor as a regular column here on...

After Effects has had a full color management system built-in since the release of CS4, in 2008.  The basic...

The Acer Chromebook Vero 514 will never take the place of your creative workstation, but if you need a...

Over the last 24 to 48 hours Adobe has quietly rolled out an Adobe Premiere Pro update to version...

It’s a strange experience for UK natives to spend time in the USA, which has a world-famous media industry,...

Introduction Color management (and understanding color management) isn’t a dark art, but there’s more to it than most people...

I’ve been watching a lot of docs and docuseries the past couple years while working on a high-profile feature...

TL;DR: Adobe shares how to handle blown out HDR footage in Adobe Premiere Pro and where the footage is...

“Have you heard? Lightworks 22.3 Has Arrived!”. The note from LWKS introducing the new version needs to be heard,...

AJA Video Systems, AVID, Microsoft, Google, Sony, AWS, EVS, Blackmagic and many other companies are returning to IBC, which...

Data storage is a growing problem in 2022. You can buy big hard drives for very little money, drives...

The concept of a simple color managed workflow isn’t too difficult to understand.  People working with video software are...

Introduction I remember seeing QuickTime 1.0 when I was a teenage nerd with a new Mac LC. That first version...