Her Name Was Moviola - An interview with Walter Murch about film editing with the Moviola 1
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Jim Tanenbaum CAS AMPS AMPAS ATAS

I’m 82, and spent over half a century as a production sound mixer. Early on, I did some editing, all on Moviolas, including the early “Black Mariah”, which had a large glass magnifying lens to look directly at the work print, instead of a ground-glass screen with a projected image. This film certainly brings back memories of the good old days, and I’m looking forward to seeing it. I remember making audio fades by cutting a 14″-long diagonal slice across the magstripe and a blank leader under it, then taping the end of the stripe taper to the beginning of the leader taper.

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