The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...

Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar-winner Anne Coates’ assistant on...

I’m a bit late in posting this article but up and coming editors (or editors without anything to do...

In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2019.9.  This update is more of...

The IBC Show in Amsterdam is by far one of my favorite trade shows to attend. Like NAB in...

Join the Digital Cinema Society at San Francisco’s Beyond Pix Studios for an exploration of the latest technology from...

The new Netflix series “Undone,” like “A Scanner Darkly” before it, creates a compelling visual style by rotoscoping live...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...

The Untold Story of Everything Digital: Bright Boys, Revisited celebrates the 70th anniversary (1949-2019) of the world “going digital”...

I normally don’t to a lot click-bait, scare-mongering blog posts trying to keep up with some breaking news but there...

One of the tell-tale signs of a good composite versus a bad composite is the quality of the edges...

Gary Dollner, ACE, is an award-winning editor with BAFTA nominations for In the Thick of It (2005), and Fleabag...

I certainly don’t prefer the Windows operating system, but sometimes people must use it. In this article, you’ll learn...

In this lesson, I’m going to talk about User Settings. Most people create their user settings, and then only...