Review: Samson G-Track Pro multi-pattern microphone with pop filters
Here is my review of the Samson G-Track Pro large-diaphragm multi pattern microphone with optional G-Track Pro Pop Filters,...
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Review: Saramonic SmartRig+ audio interfaces for USB-C or Lightning
Here is my review of the Saramonic SmartRig+ portable audio interfaces, which handle two channels of audio, either XLR...
Adobe Rush adds features but keeps doing the audio wrong
I have been covering Adobe Rush ever since it was in beta in June 2018. I really want to...
Review: AKG Lyra microphone, USB-C/vintage/multi-pattern/multi-platform
The AKG Lyra microphone has a striking, vintage-looking yet state-of-the-art look. Unlike many inexpensive replicas of the Elvis type...
Review: Plugable USB-VOX studio microphone
My evaluation of the ≈US$75 USB-VOX studio microphone from Plugable involved several happy surprises, beyond its high quality sound...
48 kHz: How to set it in Android, iOS, macOS and Windows
After creating the 48 kHz Alliance this year and several prior articles, an increasing number of people now ask...
RØDE Reporter app: 7 ways to improve it
The RØDE Reporter app for iOS is the bridge from several RØDE hardware devices to an iOS or iPadOS...
RØDE SC6-L with an XLR microphone (or 2)? Yes, but with important details
I have covered the intriguing RØDE SC6-L audio interface in prior articles. The SC6-L is unique since it’s so...
DaVinci Resolve 16 adds LUFS audio loudness standards + linear features.
At NAB 2019, Blackmagic announced many new features to its DaVinci Resolve 16 editing/grading, including LUFS audio loudness standards...
Chromebook/ChromeOS audio production: a maturing platform
In several past articles, I have reviewed and provided workflows for Auphonic (the apps), Cleanfeed Pro and Hindenburg Journalist...
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