Webinar: Affordable Anamorphic Adapters
The triumph of the SLR shape
It’s ironic that the shape so many said was outdated is the one that prevails, after different camera makers...
DJI announce their new Mavic Pro drone
Hot on the heels of GoPro’s recent (and log awaited) Karma drone announcement, DJI follows with the Mavic Pro....
Robic: a camera arm for high-speed filming
Robic is the first rig to offer laser-focused images for high-speed cinematography. Recently announced, the system is available for...
Cineo Lighting HS shines at 120 fps
Filmmaker’s Ang Lee latest feature Billy Lynn’s Long Halftime Walk has been the subject of multiple discussions, about its...
Profoto Pro-10: the world’s fastest flash
Having a flash able to freeze almost anything, from a water splash to a waterfall, opens new doors in...
PowerDirector 15: 360-degree and vertical video editing
One year after the launch of PowerDirector 14, presented as “extreme editing”, Cyberlink takes the program a step further,...
ASC opens submissions for television competition
The organization of the ASC Awards has also officially opened the submission process for the television competition. The deadline...
ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”
John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and...
Hot Gear: stolen equipment
On 11 September, loathsome lowlifes robbed San Francisco rental house Videofax of over $1,000,000 of equipment. The contemptible crims cut phone...
Photokina 2016: the year of the action cams
The 2016 edition of Photokina could be called the action cam edition. Many new models – including GoPro’s HERO5...
Arc/k Project: preserve the past and create 3D models for Hollywood filmmakers
The Arc/k Project, a new nonprofit focused on digital preservation, plans to create 3-dimensional records of the world’s most...
Magix releases VEGAS Pro 14
Three months after the official acquisition of the majority of Sony Creative Software products, MAGIX is releasing VEGAS Pro...
Working with vector graphics in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can work with vector graphics...
Let’s Edit with Media Composer – ADVANCED – Matte Key Transitions
In this lesson, Kevin P McAuliffe wraps up his talk on transitions by talking about Matte Key transitions in...
