As a freelance producer I’m often put in a place where I am giving notes to any number of...

Media Composer editors  and their workstations have always been an island in the world of post production.  Say what...

O.J.: Made in America was shot primarily with the Canon EOS C300 Digital Cinema Camera, as Nick Higgins needed...

Pete Beaudreau has been editing features since 2001. He’s best known for the films Beasts of No Nation, The...

This week on MacBreak Studio, I show Steve Martin from Ripple Training how I used Motion to create a...

Requested by the multiple users, the profile for the VariCam LT extends the options available to filmmakers when it...

Mark Schwartzbard is a fan of Panasonic cameras and for Master of None and Love the DP used Panasonic...

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...

The newly developed C-Log Picture Profiles for Canon DSLR’s gives users an expanded dynamic range at an affordable price,...

Designed, according to Canon, to be the camera that so many cinematographers having been asking for from Canon, the...

Different categories of video and advertising have embraced the vertical format since 2013. If you can adapt to work...

In this lesson, Kevin P McAuliffe talks about one of his favorite effects to work with in Avid Media...

The new studio and field production camera from Hitachi, Z-HD5500 HDTV, featuring the latest advances in CMOS imaging technology,...

Photographs pulled from Sandro Miller’s film are a central element of the exhibit RED opens this March, whose proceeds...