Review: Panasonic AU-EVA1 4K Cine Camera, part 2
Review: Panasonic AU-EVA1 4K Cine Camera
Panasonic’s $7,345 AU-EVA1 is a Super35mm single-sensor camcorder with a 5.7K Bayer-mask sensor, an EF lens mount, variable frame...
Sony E 18-135 lens: a surprise before CES 2018
The new silver α6300 camera, while a surprise, is simply Sony extending its offer for this model, but the...
Unreal Engine: free VFX Master Class in LA
The free course covers building and optimizing CG worlds for real-time performance and takes participants on a journey through...
Filmmaker Friday Featuring Filmmaker Josh Woo
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided...
How to shoot and create aerial 360 panoramas – Part 1
With all the recent interest in 360º VR technology, cameras like the Ricoh Theta S and the new GoPro...
SmallHD 703 Bolt, a wireless monitor
SmallHD started 2018 with a new product, the 703 Bolt, a daylight viewable monitor developed in cooperation with Teradek,...
LG and the TV of tomorrow at CES 2018
LG lays groundwork for TV of tomorrow with ThinQ technology and a new (Alpha) processor, suggesting that the industry...
Ultra-D: 4K glasses-free 3D at CES 2018
Some say 3D is dead, others believe it is just starting. This edition of CES will, again, reveal new...
ART OF THE CUT congratulates the 2018 Eddie Nominees
Congratulations to the following feature films and their editors for being nominated for an American Cinema Editors (ACE) Eddie...
Mini V-Lok, a new flight-safe broadcast battery
Hawk-Woods developed a new flight-safe broadcast battery able to deliver up to 150wh and which fits in the palm...
Mod your Panasonic EVA1 with Wooden Camera’s kit
The PL Mount Modification Kit (Panasonic EVA1) allows users to convert their EVA1 camera to PL Mount through a...
Review: LiveU Solo
A few weeks ago I was given the LiveU “Solo” live streaming device to test and review. They told...
MoviePro for iOS: How to set 180-degree shutter, framerate and more
I first became aware of MoviePro’s advantages over FiLMiC Pro from Cielo de la Paz of The Storyographist. She...
Creating Color Contrast Looks in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to use the extensive new color...
