The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...

This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....

ARRI is courting broadcasters with the AMIRA Live, a new version of its AMIRA camera aimed at multicamera broadcast...

Frame.io, the world’s leading video review and approval platform, today released Frame.io Camera to Cloud (C2C), a secure cloud-based...

This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...

World Backup Day is on March 31st, but that’s the celebration day itself, because backup day should be a...

One thing the COVID-19 pandemic has done for everyone in media production is test their abilities to communicate, produce...

One very common question on the internet is: When will Final Cut Pro X support Blackmagic’s RAW camera format? ...

Captions make online content more accessible, but if you’re a Chrome user, the new Live Caption generates captions in...

Venus Optics has two new products that cinematographers will want to check: the 1.4x Full Frame Expander and 1.33x...

Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...

It’s a year on from the start of the pandemic shutdown and we revisit the topic of remote editing...

First it was Maya, now it’s Blender. Discover VirtuCamera, an app that lets you control your 3D cameras in...

With remote production rapidly becoming a requirement more than an option, KMH Audio-Video Integration has added live IP streaming...