I see RED I see RED I see RED… After Effects has been able to import native .R3D files...

Exclusively for L-Mount and Sony E-mount mirrorless cameras, compatible with full-frame cameras, the SIGMA 35mm F1.4 DG DN |...

With ultra-smooth dimming from 100 percent to .1 percent, the new Gemini 1×1 Hard RGBWW LED from Litepanels delivers...

Today, Blackmagic Design updated their trio of Pocket Cinema Cameras. All three Pocket Cinema Camera’s: 4K, 6K, and 6K...

Here is my detailed review of the ≈US$200 Samson Q9U studio dynamic hybrid mic with the ≈US$20 Shure A7WS...

Atomos has been busy implementing ProRes RAW compatibiliy between a variety of cameras and its devices and now the...

Teradek announced recently the company joins the NDI ecosystem, meaning that owners of the Cube 700 Series Encoders can...

I can see the posts now “it’s the same camera.” “Oh, it’s the same sensor—nothing new here; best to...

The new ZEISS Supreme Prime Radiance lenses continue the trend set by the first versions, as they offer an...

Today’s interview is with Mikkel E.G. Nielsen. We talked via Zoom with him at his home in Copenhagen, Denmark,...

Many of Dali’s paintings clearly invite viewers to step inside them. In “Archeological Reminiscence of Millet’s ‘Angelus'” that’s exactly...

I finally got a chance to watch the Apple keynote where they introduced the newly redesigned iMacs as well...

LumaFusion’s new MultiCam Sync editing and external drive editing features previewed during the recent Apple Spring Loaded iPad Pro...

CamTrackAR, the industry’s first Mobile Virtual Production Studio for iPhone and iPad has reached a new stage, with a...