New Zylight F8-200 // Tool Talk
The new bi-color Zylight F8 200w LED Fresnel is a very thin, single-chip fixture with a CRI of up...
The Lion King: a film shot inside a game engine, with VR and Virtual Production
The Lion King uses a game engine platform to emulate live action film production in a VR space, a...
IBC2019: Blackmagic announces ATEM Mini video mixer (“switcher”)
At IBC 2019, Amsterdam, Netherlands, Blackmagic Design just announced ATEM Mini, a new low cost live video mixer (“switcher”)...
Rode Wireless Go vs.Tascam DR-10L
In order to expand my field audio recording options for interview situations, I recently purchased both the new RODE...
The Nikon Z6 Mirrorless Camera Review Part One
The Nikon Z6 is one of two mirrorless camera options from Nikon and the one best suited for 4K...
The Review Of The Canon XA-40 UHD Camcorder
The Canon XA40 is a small and mighty UHD camcorder yielding canon’s color as a weapon against single-lens camera...
Is your camera WorldCam & CineCam too?
In past articles, I have praised the benefits of WorldCams, especially for independent producers and camera operators. Unlike with...
Media Technology Expo: Seattle & Portland
Advanced Broadcast Solutions, a division of Key Code Media, presents a one-day Media Technology Expo, in Seattle WA on September...
Canon Announces C500 Mark II 5.9K Full-Frame Camera
In comes the Canon EOS C500 Mark II and all of its Full-Frame 5.9K glory. The headline on this...
Why many studios and broadcasters are banning FTP from their supply chain
For decades, FTP (File Transfer Protocol) has been used in the Media & Entertainment (M&E) industry to move files...
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