Is too much Resolution too much of a good thing?
For decades, the push for resolution in electronic cameras was practically a war, a way of life, an epic...
Producing an audio opening for radio/podcast
After producing several of them since 2008 for myself and clients, I recently launched a brand new online radio...
Canon EOS VR System is compatible with Pico VR headsets
ProVideo Coalition has confirmed that Canon’s new VR lens is compatible with more headsets than the Quest 2, and...
SolidLight, a scalable holographic display for huge video walls
Allowing viewers to experience digital objects in the physical world that escape the screen and are indistinguishable from reality,...
Panasonic LUMIX BS1H: a new cinema camera in a compact body
The new “box-style” cinema camera from LUMIX is a full-frame model with 6K 24p / 5.9K 30p 10-bit unlimited...
Canon RF5.2mm F2.8 L Dual Fisheye: a world’s first for VR capture
The world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single...
Post|Production World is online and free
The Post|Production World conference is a staple of NAB Show and while we were planning to move full speed...
Manfrotto MOVE: a whole new way to move cameras
Manfrotto announced MOVE, claiming it is the lightest Quick Release System on the market for dynamic users. The system...
Cinematic Mode, the future of iPhone cinematography, and ProRes on a phone
By now, you’ll have likely seen an article or social post about Cinematic Mode, the new computational background blur available...
The upgrade treadmill
Given the resources put into upgrading film and TV equipment in the last couple of decades, it’d be easy...
PVC Favorites
Adobe Insights
Why Adobe Rebuilt Color From Scratch
Latest
Post Production
