Initial Review: Camo Pro, the software CCU for your phone camera
If you have been involved in the engineering end of traditional TV studios and trucks, you already know what...
LUMIX GH6: the tech behind the new Panasonic camera
Announced this month, the LUMIX GH6 has a lot of new features, based on state-of-the-art technologies to enhance video...
Thriller The Desperate Hour shot with URSA Mini Pro 12K
A riveting and pulse pounding thriller from award winning director Phillip Noyce, “The Desperate Hour” was shot by cinematographer John...
OM-1: the Quad Pixel AF camera with enhanced video functions
Computational photography, which we’ve seen growing with smartphones, is present inside the new Olympus camera, which has a new...
Genesis: from a VFX pipeline to a real time engine workflow
Telling the story of 4.7 bn years of evolution condensed into 24 h reveal, Genesis is also a radical...
Galaxy S22 Ultra: the most powerful cameras in a smartphone
The new Samsung Galaxy S22 family includes the Galaxy S22 and S22+, but if you’re serious about photography and...
Plan B: using ZEISS Supreme Primes and Sony Venice
What happens when you pair the Sony Venice camera and Zeiss Supreme Primes for a mostly low light film?...
An update on Kyno and what might be in store for the future of this fantastic piece of post-production software
For years now I have professed my love for Kyno as an integral part of a post-production workflow. It...
Shooting video with the Xiaomi Redmi Note 10 Pro smartphone
Saying a smartphone can shoot 4K video at 30fps does not mean it can always shoot 4K at 30fps....
Old lens bad
Being an optical designer has been a thankless task for the last few years. You get to spend half...
