NAB 2019: Canon Image Stabilization in new 8.5-128mm F/2.5 B4 4K Lens
Finally! If there was one thing, and just one thing, I have wanted in 2/3 B4 zoom lens it...
NAB 2019 – Panasonic EVA Live Takes a Cinema Style Camera and Adds Studio Camera Features
At NAB 2019, the PVC team stopped by the Panasonic booth to take a look at EVA Live from...
NAB 2019: Introducing Sumire Prime Lenses From Canon
Sumire, pronounced “Soo-mee-ray,” is the name of a Japanese flower, and like the petals of a flower, these lenses...
Tokina Vista One lenses, a limited edition
Tokina debuted at NAB 2019 its very special limited run set of lenses of the Cinema Vista One collection....
Tokina 50-135mm T2.9 mk II Cine Zoom: lighter, more compact and cheaper
With a much smaller footprint than the old 50-135mm lens, the new Tokina 50-135mm T2.9 mk II Cine Zoom...
Wipster Announces Collaborative Audio Review
Portland, OR – April 8, 2019 – Wipster, renowned for its cutting edge video feedback platform, now announces dynamic...
Blackmagic Design NAB press conference and DaVinci Resolve 16
This is some random thoughts as I sit here and listen to the Blackmagic NAB 2019 press conference. Specially...
NAB Preview: Fujifilm Premista FF zooms
The night before the NAB show opened, Fujifilm previewed their new Premista full-frame cine zooms (they were first shown...
NVIDIA RTX and game-changing workflows invade NAB 2019
From virtual sets and on-air graphics to 8K video editing, NVIDIA will be at NAB 2019 powering demos for...
Adobe Premiere Rush: The Editing Choice For PVC’s NAB Coverage
Fast and easy. On our phones or a laptop. Always in a rush. This is life as we know...
