Cine Gear: Zero Optik’s Rainbow Super Baltar Lens
On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...
Cine Gear 2019: The Angenieux Optimo Prime Lenses
Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...
RØDE Reporter app: 7 ways to improve it
The RØDE Reporter app for iOS is the bridge from several RØDE hardware devices to an iOS or iPadOS...
Allegiance Studios tap into global talent pool of VFX artists using Signiant Media Shuttle
Allegiance Studios is the only feature-level VFX house in the Okanagan Valley of Canada’s British Columbia. A full-service company,...
Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor
At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...
Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera
Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...
Cine Gear: Panavision X Series Lenses. Made To Fly
Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...
iTunes is (almost) dead! Long live the triad replacements!
Apple is finally eliminating iTunes in the new upcoming macOS Catalina (although Apple may extend iTune’s life in Windows)....
Leica DG Vario-Summilux 10-25mm f/1.7: a zoom designed for MFT video shooters
With the new Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH., Panasonic confirms Micro Four Thirds continues to be cared...
Cine Gear: The Arri Alexa Mini LF and the Arri “Look”
The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...
