Nadus Films: we’re always telling stories
Authentic stories. That’s what the Louisville production company has created for 15 years, using their expertise in all aspects...
NAB 2019: Michael Bergeron on the Move to IP
At NAB I talked with Michael Bergeron, Product Manager of Studio Camera Systems at Panasonic, about the move to...
Random thoughts on NAB 2019, my saddest NAB ever
Was NAB 2019 boring? Maybe. Admittedly I did spend a lot of time upstairs in the South Hall teaching...
ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May...
Testing out the Loupedeck+ Final Cut Pro X integration
I do realize I’m a bit behind in posting about the new Final Cut Pro X (and Adobe Audition)...
Acer ConceptD, a whole family of products designed for content creators
Two desktop computers, three laptops, two monitors and a Windows Mixed Reality headset make the Acer ConceptD brand, designed...
NAB 2019: P+S Technik TECHNOVISION CLASSIC 1.5X Lenses
Sometimes, actually, quite often cinematography is about delivering an image with character and art. Lenses can help one achieve...
NAB 2019: Zacuto Shows Off Versatile Kameleon EVF
During NAB 2019 PVC talked to Zacuto about their latest Electronic Viewfinder, the Kameleon and how it fits within...
NAB 2019: Nikon Talks New Mirrorless Cameras Z7 and Z6
At NAB 2019 PVC and Nikon talk about their two new mirrorless cameras the Z7 and Z6. There are...
NAB 2019: Chatting with Adobe about their new releases
While Adobe took the days leading up to NAB 2019 to release updates to their video products I still...
