Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses
Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The...
Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops
It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019....
Cine Gear: Lumix S1H Full-Frame DSLM
Panasonic rolled out the full-frame Lumix S1H at Cine Gear Expo with a presentation, a demo film, and a...
Cine Gear: Zero Optik’s Rainbow Super Baltar Lens
On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...
Cine Gear 2019: The Angenieux Optimo Prime Lenses
Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...
RØDE Reporter app: 7 ways to improve it
The RØDE Reporter app for iOS is the bridge from several RØDE hardware devices to an iOS or iPadOS...
Allegiance Studios tap into global talent pool of VFX artists using Signiant Media Shuttle
Allegiance Studios is the only feature-level VFX house in the Okanagan Valley of Canada’s British Columbia. A full-service company,...
Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor
At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...
Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera
Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...
Cine Gear: Panavision X Series Lenses. Made To Fly
Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...
