NAB 2019: Nikon’s FTZ Mount Adapter Keeps Classic Lenses On Your Z7
F-mount To Z-mount that is what FTZ means. More importantly, FTZ means opening up more than 90 currently available...
NAB 2019: Nikkor Z 58mm f/0.95, The fastest lens in Nikon’s History
One could touch it. You could even look through the camera to see how the lens performed. But, at...
LTCsync, a timecode system that is simpler to use than a clapper
Sound sync is a complex area in filming, and the clapper is still king. Now Ari Krupnik is designing...
NAB 2019: Blackmagic Design URSA Mini Pro 4.6K G2
Dan May from Blackmagic Design and I had a quick chat about the URSA Mini Pro 4.6K G2. While...
NAB 2019: Chemical Wedding’s Artemis Prime Director’s Viewfinder
Artemis Prime is a lens-mounted director’s viewfinder like none I’ve ever seen. Chemical Wedding, the company behind Artemis Prime...
NAB 2019: Fujinon Premista Large Format Cinema Zooms
Premista, the first large-format cine zoom lens set from Fujinon. ARRI ALEXA Mini LF, Sony VENICE, Canon C700 FF,...
Burning questions about the DaVinci Resolve Editor Keyboard
Let’s talk about the DaVinci Resolve Editor Keyboard. It was a big surprise at NAB 2019 because let’s be...
ART OF THE CUT with Oscar winner, Paul Hirsch, ACE
Paul Hirsch, ACE has edited some of the most iconic films in cinema history: Carrie, Star Wars; Star Wars:...
NAB 2019: Laowa 25-100mm T2.9 OOOM Cinema Zoom Lens
Not too long ago Chinese lensmaker Laowa shook up the industry with the Laowa 24mm f/14 2X Macro Probe,...
NAB 2019: Foton Optics M1 25-300mm T2.8 Cine Zoom Lens
It’s big. It’s long. It’s a whole lotta lens. Don’t get cheeky with me. It’s a big lens. At...
