Zeiss DigiPrime lenses. Are These Lenses Right For You?
Great Glass for a great price. It is the dream of every shooter. We can be tempted by a...
After Effects Classic Course: Extended Vignette Techniques (part 2)
A couple of weeks ago, we started talking about creating vignettes to subtly focus the viewer’s attention where you...
Thoughts on Apple’s New 16” MacBookPro and the New MacPro and XDR display
So, Apple reached out and wanted someone to attend a PR event in the Tribeca neighborhood of New York...
MEDIAPRO leads across the audiovisual value chain with help from Signiant Media Shuttle
MEDIAPRO is a leading independent production company in Europe’s audiovisual market. Offering a full slate of technical and creative...
Apple MacBook Pro 16″ supports non-integer framerates!
In February 2013, I published an open letter to Apple called: Why does the Mac still deal with connected...
Art of the Cut Podcast Eps. 21 (w/ “Parasite” Editor Yang Jin-mo)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with the editor of 2019 Cannes Palme d’Or winner “Parasite”
Parasite won the prestigious Cannes Palme d’Or in 2019. In this Art of the Cut interview, we discuss the...
Adobe Photoshop Camera: smartphone photography the Adobe way
Amid all the news from Adobe MAX 2019, one is special for smartphone photographers: Adobe wants to re-imagine what’s...
Review: Lumberjack Builder for Adobe Premiere Pro
If you’re an editor who has to work with a lot of interviews where you need transcripts, then there...
After Effects & Performance. Part3: It’s numbers, all the way down
If you’re reading this then you’re probably an After Effects user, and if you’re an After Effects user then...
