The Palace of Versailles: going behind the scenes of a VR production
Never a 3D model will replace the emotion of actually stepping into the monument, but the new app “VersaillesVR:...
The Art of the Cut Podcast Eps. 15 (w/ “Fleabag” Editor Gary Dollner, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with the editors of “Ad Astra”
Editor John Axelrad, ACE, has been in post-production since 1991, including a stint as Oscar-winner Anne Coates’ assistant on...
GoPro HERO8 Black and GoPro MAX: redefining what’s possible with a camera
Dramatically improved stabilization, a new Boost mode and in-app horizon leveling are some of the features of the new...
Free this week? Enter one of these two editing contests and maybe win some prizes
I’m a bit late in posting this article but up and coming editors (or editors without anything to do...
Let’s Edit with Media Composer – What’s New in 2019.9
In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2019.9. This update is more of...
Recapping IBC 2019
The IBC Show in Amsterdam is by far one of my favorite trade shows to attend. Like NAB in...
DCS Event in SF: The Latest from Blackmagic Design
Join the Digital Cinema Society at San Francisco’s Beyond Pix Studios for an exploration of the latest technology from...
Review: can the Oculus Quest with Oculus Link become the Oculus Rift 2?
The Oculus Quest Virtual Reality headset was born as a “no PC, no wires, no limits” solution to watch...
Create the “Undone” look using EbSynth
The new Netflix series “Undone,” like “A Scanner Darkly” before it, creates a compelling visual style by rotoscoping live...
