Introducing The ProVideo Coalition Podcast!
Welcome to the ProVideo Coalition Podcast! With so much news coming out every day it’s nearly impossible to keep up...
Working with Premiere Pro on Terminator: Dark Fate
In 1984, a young director stepped behind the camera to create an original sci-fi action movie about time-travel, cyborg...
After Effects Classic Course: Hot Looks from Floating Point
We’ve finished with posting movies on individual After Effects plug-ins from our Insight Into Effects course, and are turning...
Blackmagic Design’s UltraStudio 4K Mini I/O is Built for the Demands of Production and Post
I have been patiently waiting for an affordable Thunderbolt 3 device that could handle the wide range of needs...
The Supermeet returns to Boston this November
Remember the SuperMeet? Those great filmmaking events that were a stable of Tuesday night of NAB for many, many...
The literal invisible cut: mastering the Fluid Morph
Ethics aside, editors often have a legitimate need to hide a jump cut. Many editors are still unaware of...
The Review of The Blackmagic Design Pocket Cinema Camera 6K
6K in your hand. 6K on our gimbal. 6K. 6K. 6K. We love our “K’s.” The Blackmagic Pocket Cinema...
Delivering in Multiple Aspect Ratios for Social Media
As editors, we need to deliver video to be hosted on a variety of social media platforms, often in...
The Palace of Versailles: going behind the scenes of a VR production
Never a 3D model will replace the emotion of actually stepping into the monument, but the new app “VersaillesVR:...
The Art of the Cut Podcast Eps. 15 (w/ “Fleabag” Editor Gary Dollner, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
