Old lens bad
Being an optical designer has been a thankless task for the last few years. You get to spend half...
GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...
Blackmagic Pocket 6K Pro: Long-Term and First Impressions
A while back Blackmagic contacted me asking if I’d be interested in checking out the Pocket 6K Pro they...
Review: RØDE VideoMic Go II compact hybrid shotgun microphone
Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...
Samsung Galaxy S22 smartphones aim to break the rules of light
Ready to break the rules of light? Samsung suggests its Samsung Galaxy S22 can turn low light moments into...
Art of the Frame Podcast w/ Olympic Games Post Production Editor Rob Weir
*Cue Olympic Theme Song* Welcome to this special Friday episode of the Art of the Frame Podcast! On todays...
Practical AI: Spleeter – Music decomposition aka Unbaking a cake
Intro This article about Spleeter is the first in a series here at PVC that’s going to focus on...
Avid’s new NEXIS | EDGE allows post-production workflows from anywhere and looks a lot like a good proxy workflow
Avid has announced new technology called NEXIS | EDGE that is being touted as an “innovative new software option...
MBARI: shooting 4K video of deep-sea animals and habitats
This is not your usual ocean life video: a new underwater camera records stunning 4K video of deep-sea animals...
After Effects Roundup January 2022
We’re in between releases for After Effects, although NAB 2022 is only a few months away. The year begins...
