Will MacNeil will be presenting the session “Creating Stunning Motion Design Experiences with Creative Cloud and Cinema 4D” in the Adobe stand 7.G27 at IBC 2015 on Monday, Sept. 14th at 5:00 pm and Tuesday, Sept. 15th at 2:30 pm and in the MAXON stand 7.K30 on Monday, Sept. 14th at 3:00 pm and Tuesday, […]
Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high gear with 2010 with the Kick-Ass movies, X-Men: First Class, The Loft, Kingsman: The Secret Service, and now Mission: Impossible – Rogue Nation. Eddie didn’t even study film in school, but knew that this was his […]
Read More… from Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation
“Liliputian” is the first word that comes to mind when sizing up Blackmagic’s latest offering the BlackMagic Micro Studio Camera 4K. Blackmagic says it’s the world’s smallest pro studio camera. You won’t believe this tiny 4K broadcast camera’s size. […]
Read More… from Blackmagic Micro Studio Camera 4K: First Look
In this episode Alexis Van Hurkman walk through how to optimize your media for better playback performance in DaVinci Resolve 12. In this episode Alexis Van Hurkman walk through how to optimize your media for better playback performance in DaVinci Resolve 12. […]
This week on MacBreak Studio, Sam Mestman (FCPWorks, LumaForge, WeMakeMovies) returns and shows us a very powerful tip for creating tracked color corrections directly inside Final Cut Pro X. Yes, you read that correctly. Something that has had to be done in Resolve via Power Windows can now be done in FCP X with no […]
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Equipped with a high-definition 4096 x 2400 pixel LCOS (Liquid Crystal On Silicon) panel, the new projector within the REALiS series (named Power Projector and XEED in other regions) offers a level of resolution that surpasses the 4096 x 2160 pixel-resolution of 4K digital cinema. The new projector, which represents a jump for Canon’s REALiS […]
Panasonic has announced price and availabiility of the V-Log L upgrade for the DMC-GH4: US$99.99 (or €99 or £79), mid-September (though at present you can save a whopping 4¢ pre-ordering from B&H instead). There will also be a DMC-GH4R with V-Log L built in and the removal of the 30-minute recording limit in EU countries; it’s supposed to […]
Read More… from Before you rush out to buy V-Log L for your GH4…
While direct manipulation of UI elements may not be favored by NLE power users, sometimes it is faster. One example is moving a short clip or still using the =/- keys to zoom the timeline during the move. […]
With IBC 2015 just around the corner, we’re gearing up to showcase technologies and developments that are set to take center stage at the show. One of those developments is from a company called fayteq, and they’re focused on creating technologies that enable fast digital camera tracking, automation of digital inserts and digital object removal. […]
Media 100 is a name that prompts numerous memories for experienced professionals. Back when it debuted, the software changed the way professionals thought about editing. As Media 100 founder John Molinari detailed, their mission was to “to build nonlinear systems that empower the individual to compose finished videos, largely on their own, with small overhead […]
Read More… from Does Media 100 (still) make sense for your post-production workflow?
