Videoguys.com Announces Adobe Creative Cloud for Teams Upgrade, 2-Year Rate Lock, and Special Multi-Seat Prices for 5 or more users Now it is more affordable than ever to set-up your entire team with the greatest content creation tools in Adobe Creative Cloud for Teams Glen Cove, NY – At Adobe MAX 2014, the world’s leading […]
Month: October 2014
Distributed Databases: Tech Disruption That is Going to Give Media Producers a New Edge
The Fellini film 8½ is perhaps one of the best films about the anxiety and creative crisis of making a film. In the 50 years since the film was made, the challenges faced by anyone trying to produce a film or television program have only increased. Creative issues aside, there are a lot of new […]
Behind the Workflow and Post-Production Process of Gone Girl
David Fincher’s latest feature film, Gone Girl, was shot in 6K and reviewed in a full 4K pipeline. It’s the first feature film to be cut on Adobe Premiere and needed to employ an incredibly advanced technical workflow to handle all of the data and ensure there weren’t any bottlenecks. Two people who were essential […]
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4 Easy Steps to Transmedia Screenwriting
Let’s say you’re a film student or filmmaker and you’re interested in telling a story that will stay with your audience beyond the ‘Fade Out.’ Let’s say you want a webisode to go viral. Or, a couple of years ago, you heard Disney and Fox talking about transmedia. Now you’re wondering how to stay on […]
PVC at AES 2014 – The Amazing Nucleus Board from Solid State Logic
In a world filled with computers replacing the desk and shelf space of mixing consoles and recorders, there have been a number of solutions over the years to address the tactile connection to the audio that mixers and sound engineers require. Avid has rolled out a number of controllers over the years and other audio […]
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Biscardi Creative Media combines experience, storytelling, and heart
Walter Biscardi Jr. has worked with nearly every NLE during his long and successful career. He started editing in 1990 at CNN and was one of the network’s first Avid editors. In 1995, he moved to Foxwoods Resort Casino, designed a new production facility around Media 100, and then started his first company back in […]
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Panasonic VariCam 35 and VariCam HS Ship
Panasonic today announced the immediate availability of its highly-anticipated VariCam models, the VariCam 35 and VariCam HS. The VariCam 35’s superb image handling in multiple formats ranging from pristine 4K RAW to more practical 4K, UHD, 2K, HD and ProRes capture formats make it an unparalleled tool for high-end filmmaking, commercials and episodic production […]
Ask an Expert: How to Market Yourself, Applying a LUT and Using the Angle Editor in FCPX
In our October 2014 Mailbag, readers asked questions about editing clips from different angles, the best approach to LUTs, Premiere Pro logistics and plenty more. Art Adams, Bruce Johnson, Scott Simmons and Adam Wilt weighed in to answer most of the questions this month, and you can see what they all have to say below. […]
Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the subject we tackle in this week's edition of MacBreak Studio. While Motion is the primary companion application for creating motion graphics for editors using Final Cut Pro X (or for anyone else for that matter), because […]
I Need You but Can’t Pay You: 4 Things to Remember When Asking for Free Work
We’ve all been there! The all too familiar passion projects – ie: short films, documentaries, even feature films. When we create these projects we know in order to pull them off, we have to invite others to get the vision, to hopefully be as passionate about the project as we are, all in order to […]
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