premiere
ART OF THE CUT with RED SPARROW’s Alan Edward Bell, ACE
This is not my first conversation with veteran editor, Alan Edward Bell, ACE. You can read about the editing of The Hunger Games – Mockingjay Part 2 here. In addition…
Adobe Premiere Pro and the Pancake Timeline
It’s the stuff of legend around the Internet and it’s a special technique that none of the competing NLEs can do: The Pancake Timeline. While it seems simple…
ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”
Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved into the editor’s chair in 1992 and has edited…
Hands-on with Premiere and Photoshop Elements 2018
Released in time for Christmas, Adobe Photoshop Elements 2018 & Premiere Elements 2018 arrive with a promise: being creative with your photos and videos has never been easier. Moving to…
Hands On With the New Frame.io Panel for Adobe Premiere Pro
The Adobe Premiere Pro panels just keep getting better. Frame.io has created their own Frame.io panel that can load pretty much all of the functionality of Frame.io…
ART OF THE CUT with “Straight Outta Compton”‘s editor Billy Fox
Billy Fox, ACE has numerous Emmys nominations for his editorial and producing work and won an Emmy as a producer for “Law and Order.” Beyond his impressive TV credits, he…
The BEST and FREE Video Editing Software
Many professionals in the video editing industry have grown with a list of programs as their reference for quite some time, but a new generation of users is not bound…
Behind the Workflow and Post-Production Process of Gone Girl
David Fincher’s latest feature film, Gone Girl, was shot in 6K and reviewed in a full 4K pipeline. It’s the first feature film to be cut on Adobe…
