premiere
Art of the Cut’s “Voices from Sundance” podcast, Ep. 6
In this episode of Art of the Cut’s “Voices from Sundance” podcast series, we’re talking with Japanese editor Maho Inamoto about editing the feature film “We Are Little…
Art of the Cut’s “Voices from Sundance” on editing “RBG”
In episode 3 of Art of the Cut’s “Voices from Sundance” series of podcasts, I spoke with Carla Guttierrez who edited the CNN Films documentary, “RBG…
Voices from Sundance podcast with Phyllis Housen, editor, “Clemency”
Here’s episode 2 of Voices from Sundance. This episode features Phyllis Housen, who edited the narrative feature film “Clemency.” She discusses her methodologies, her introduction to…
Review: The Loupedeck+ control surface and its Adobe Premiere Pro integration
Loupedeck+ is an Indiegogo-funded, button-filled, knob-twisting, plastic-constructed, USB-connecting hardware console that was originally marketed as a photo editing console. It was developed with Adobe Lightroom…
ART OF THE CUT on editing “The Ballad of Buster Scruggs”
Eyal Dimant, associate editor on the Coen brothers’ Netflix film, The Ballad of Buster Scruggs discusses editing alongside the Coens as they use Adobe Premiere to create the unique…
Adobe Premiere Rush: Beyond the Basics
This webinar will take a look at the recently released Adobe Premiere Rush and how it might be useful in an editor’s workflow. We will look at some of…
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball. He also worked on an episode of The New Yorker…
The Adobe Premiere Pro Fall 2018 update – better color and better audio are highlights
Are you wondering if Adobe is going to update the Creative Cloud video tools for IBC 2018? Well, wonder no more (and tune in for a live Q and A…
Kyno has a new version, 1.5, and a big brother: Kyno Premium
Trusted by media professionals around the world, Kyno offers an ingest-free media management, screening and transcoding platform that adjusts to your workflow. Now you have two versions: Standard and…
ART OF THE CUT with RED SPARROW’s Alan Edward Bell, ACE
This is not my first conversation with veteran editor, Alan Edward Bell, ACE. You can read about the editing of The Hunger Games – Mockingjay Part 2 here. In addition…
Adobe Premiere Pro and the Pancake Timeline
It’s the stuff of legend around the Internet and it’s a special technique that none of the competing NLEs can do: The Pancake Timeline. While it seems simple…
ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”
Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved into the editor’s chair in 1992 and has edited…
Hands-on with Premiere and Photoshop Elements 2018
Released in time for Christmas, Adobe Photoshop Elements 2018 & Premiere Elements 2018 arrive with a promise: being creative with your photos and videos has never been easier. Moving to…
Hands On With the New Frame.io Panel for Adobe Premiere Pro
The Adobe Premiere Pro panels just keep getting better. Frame.io has created their own Frame.io panel that can load pretty much all of the functionality of Frame.io…
ART OF THE CUT with “Straight Outta Compton”‘s editor Billy Fox
Billy Fox, ACE has numerous Emmys nominations for his editorial and producing work and won an Emmy as a producer for “Law and Order.” Beyond his impressive TV credits, he…
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ART OF THE CUT with ACE EDDIE winner Tom Eagles, on “Jojo Rabbit” January 19, 2020
