Performing swap edits in DaVinci Resolve 12

This week's Under 5
Written by  |  October 6, 2015
On this week's Under 5 from Ripple Training, Alexis Van Hurkman shows us how to perform swap edits in the newly...

Screen replacement in Final Cut Pro X with TrackX

This week on MacBreak Studio
Written by  |  October 6, 2015
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how he used
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This is the third and final article in the post production process for the theatrical feature film War Room which I co-edited with director, Alex Kendrick.  This article will walk through the steps from picture lock through the audio editing, sound design and final mix.


Choose a video monitor for editing & connect it the best way

Do you need to see your video full screen while you edit? Do you have a shoestring budget? Read ahead.
Written by  |  October 5, 2015

People frequently ask about how to choose and connect a video monitor to their computerized editing system. Some people want to do serious grading and have budget for an HP DreamColor or other high-end device designed specifically for critical evaluation, while others have a shoestring budget and really just want to edit, not do serious grading. I have already dedicated several articles to the DreamColor and its ideal connection. This article is focused on how to pick an inexpensive 1080p monitor for video editing, and the ideal connection.


Building Projections - Preview & Testing

What you see is what you get... or is it? Fingers crossed...
Written by  |  October 5, 2015

When producing large scale video projections it's important to establish some type of preview, to guage how the content will look when projected.  There are a variety of techniques available to do this.


Ep. 01 getLayerEffects Free Function Friday


Publishing a shape from Motion to Final Cut Pro X

This week on MacBreak Studio
Written by  |  October 1, 2015
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can once again use Motion to improve on the motion graphics...

In this lesson, Kevin P McAuliffe talks about your Import settings, and focuses in on a very important aspect of importing, and that is supported codecs inside of Media Composer.  If you don't set up your imports correctly, you'll end up recompressing your footage, instead of re-wrapping it.


Motion Tracking, After Effects, and CINEMA 4D Lite

The workflow to add 3D objects into your already-shot footage.
Written by  |  September 30, 2015

After Effects features a 3D Camera Tracker that examines already-shot footage and attempts to reverse-engineer where the camera was during the shot, creating a 3D camera to match. This allows you to add new objects in 3D space that match the movement and perspective of the underlying footage. 


Track objects in Adobe After Effects automatically, intuitively, precisely and quickly with fayIN

Accelerating the process of integrating content in video footage
Written by  |  September 30, 2015

IBC featured no shortage of new products and updates, and the promises made about the impact such things will be able to have are as loud as they are pervasive. No doubt, some of them could positively impact the way professionals work, while others are nothing but hyperbole. Taking the time to dig with exhibitors at their booth is the only real way to tell which products are going to be worthwhile, but with more than 1,700 companies exhibiting at IBC, how are you supposed to find the time to do so?

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