Browsing Category:

Post Production

EditFest 2016: Inside the Cutting Room with Michael Tronick and the American Cinema Editors

EditFest 2016: Inside the Cutting Room with Michael Tronick and the American Cinema Editors

Michael Tronick, ACE, is a motion picture editor in every sense, but his experience as a music editor has influenced his career in ways that even he is surprised to…

Creating alternate edits with roles in Final Cut Pro X

Creating alternate edits with roles in Final Cut Pro X

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to use roles in Final Cut Pro X to create alternate edit scenarios. Steve starts with a…

Editfest 2016: Cutting it in Hollywood with the American Cinema Editors

Editfest 2016: Cutting it in Hollywood with the American Cinema Editors

American Cinema Editors (ACE) is an honorary society founded in 1950 by editors who wanted to create a forum to honor their profession, and EditFest is the ultimate place to…

The Video Editing Go-Bag

The Video Editing Go-Bag

Over the last few months I’ve had a couple of situations pop up where I’ve needed to do some serious editing on the go. I’m not talking…

ART OF THE CUT with Paula Heredia

ART OF THE CUT with Paula Heredia

I first met Paula Heredia when she was the featured speaker on documentary film editing at a Master Editor’s Retreat in 1996. Even then her resume was impressive…

Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1

Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1

In this lesson, Kevin P McAuliffe starts the first of a multi-part lesson on creating Motion Effects inside of Media Composer, and starts out by creating them the easiest…

Rageboard – The big, impressive looking color grading panel for your Tangent Elements

Rageboard – The big, impressive looking color grading panel for your Tangent Elements

Are you a colorist who wants to have an impressive looking color grading panel but you can’t afford the cost of a full $30,000 Davinci Resolve Advanced…

Cut like an Oscar Winner

Cut like an Oscar Winner

I train professional editors all over the world and one of the fundamentals that I push is to do as much editing with the keyboard as possible. This helps with…

EditFest 2016: Cult Film Favorites with the American Cinema Editors

EditFest 2016: Cult Film Favorites with the American Cinema Editors

What does it mean to edit a cult classic? Does an editor go into a project thinking or knowing what they’re working on is going to be a cult…

After Effects Plugin Match Names

After Effects Plugin Match Names

After Effects Plugin Match Names After Effects plugin match names have been a highly sought after bit of info for script coders. They are names that help with cross language…