Wildlife and nature as seen through a RED
Shannon Wild and Russell MacLaughlin, Paul Nicklen, Andy Casagrande and Asgeir Helgestad all have a passion for nature and...
Everything you need to know about REDCODE RAW
RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the...
Teradek RT: wireless lens control for filmmakers
Manufactured in the USA and sold by Teradek, the new product line, known as Teradek RT, is compatible with...
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...
RED takes MONSTRO 8K to BSC Expo
RED cameras will be on show at BSC Expo, but visitors can also discover the secrets behind FX’s flagship...
Three shorts to show the potential of FCPX
RED cameras, iMacs and MacBook Pros for editing, three female filmmakers, industry pros as mentors, and Final Cut Pro...
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
Mini V-Lok, a new flight-safe broadcast battery
Hawk-Woods developed a new flight-safe broadcast battery able to deliver up to 150wh and which fits in the palm...
RED takes MONSTRO to 2017 Camerimage
Attendees to the 25th Camerimage International Film Festival have an opportunity to handle RED’s latest DSMC2 cameras, and participate...
Art of the Shot: Mindhunter cinematographer Erik Messerschmidt
Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera...
