Let’s Edit with Media Composer – Working with 2:3 Pulldown
I can’t remember the time that I last worked in a 1080i timeline. I’m pretty much 23.98 all the...
Let’s Edit with Media Composer – Working with Boris Sapphire’s S_LensFlare
If someone asks you what your favorite effect is, what would you say? I always have the same answer. ...
Let’s Edit with Media Composer – Exporting
I love the Avid Editors of Facebook page. It’s such a great place to get a real sense of...
Let’s Edit with Media Composer – What’s New in Sapphire 2020?
What can I say…I’m a big Sapphire fan. I need a shirt with “S_Glow” on the front of it,...
A decade in review at the Editblog
As 2019 winds down it’s hard to believe that another decade is in the books. Thinking about that recently...
Avid S1: the power of larger consoles in a solution for home studios
If you need the speed, rich visual feedback, and software integration of Avid’s high-end consoles but are limited by...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
Let’s Edit with Media Composer – What’s New in Continuum 2020
I’m still amazed when talking to Media Composer editors, how many of them are still using the built in...
Let’s Edit with Media Composer – Working with Lens Flare 3D
In this lesson Kevin P McAuliffe talks about working with Continuum 2019’s Lens Flare 3D inside of Avid Media...
The literal invisible cut: mastering the Fluid Morph
Ethics aside, editors often have a legitimate need to hide a jump cut. Many editors are still unaware of...