How to: Easy remote editing and collaboration with identical hard drives
There is, without a doubt, more interest and movement today about true remote editing than has ever happened before...
Avid offers temporary licenses for Media Composer and other products
Avid announced the other day that they would be offering “Temporary Licenses of Creative Tools for Customers Affected by...
Avid now out of NAB 2020, also canceling the Avid Connect 2020 Conference
And another one bites the dust. After we saw Adobe choosing not to participate in NAB 2020 today we get...
Let’s Edit with Media Composer – Working with 2:3 Pulldown
I can’t remember the time that I last worked in a 1080i timeline. I’m pretty much 23.98 all the...
Let’s Edit with Media Composer – Working with Boris Sapphire’s S_LensFlare
If someone asks you what your favorite effect is, what would you say? I always have the same answer. ...
Let’s Edit with Media Composer – Exporting
I love the Avid Editors of Facebook page. It’s such a great place to get a real sense of...
Let’s Edit with Media Composer – What’s New in Sapphire 2020?
What can I say…I’m a big Sapphire fan. I need a shirt with “S_Glow” on the front of it,...
A decade in review at the Editblog
As 2019 winds down it’s hard to believe that another decade is in the books. Thinking about that recently...
Avid S1: the power of larger consoles in a solution for home studios
If you need the speed, rich visual feedback, and software integration of Avid’s high-end consoles but are limited by...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
