lights

Tweak Your Lighting to Maximize Results

Tweak Your Lighting to Maximize Results

In this webinar we will walk through some tweaks you can make with your lighting to improve the frame before you roll your camera. Over the years Barry has learned…

Shooting with Battery Powered Lights

Shooting with Battery Powered Lights

As productions move to smaller crews, no tech scouts, real world locations and with the speed we need to shoot being able to shoot with battery powered lights is essential…

Watch “Shooting Exteriors Without Lights” On-Demand at moviola.com

Watch “Shooting Exteriors Without Lights” On-Demand at moviola.com

There are a lot of resources for how to light using lights but what happens if you are shooting outside- especially in the direct sun?  This webinar will show you…

Shooting Exteriors Without Lights

Shooting Exteriors Without Lights

There are a lot of resources for how to light using lights but what happens if you are shooting outside- especially in the direct sun?  This webinar will show you…

Quasar Science Battery powered LED’s: NAB 2017 Video

Quasar Science Battery powered LED’s: NAB 2017 Video

Quasar Science showed off three new battery powered LED lights. The battery powered Quasar Science lights come with switchable color settings from 3200 Kelvin to 5600 Kelvin. Each light has…

Quasar Science Shows Off LED Filament Bulbs: NAB 2017 Video

Quasar Science Shows Off LED Filament Bulbs: NAB 2017 Video

At NAB 2017, Quasar Science showed off their Starline and A-Series filament bulbs. These are like your standard light bulb, but come with a 95 CRI rating, fully dimmable…

Three Variations on Lighting a Single Shot Commercial

Three Variations on Lighting a Single Shot Commercial

I love a challenge, as that’s when I get to do my best work. One of these spots was easy, one was moderately difficult, and one was hard…

Polishing the Talking Head Interview

Polishing the Talking Head Interview

I’m constantly experimenting with common lighting setups and trying to make them better. There is no more common lighting setup than that of the talking head interview. Here…

Flicker: Why On-Set Monitors Fail Us

Flicker: Why On-Set Monitors Fail Us

While working as a young second camera assistant on a film TV series in the 1990s, I noticed the DP set the camera shutter to 144 degrees (1/60th of…

TLCI vs. CRI, CQS, etc.: How do they stack up?

TLCI vs. CRI, CQS, etc.: How do they stack up?

How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might be suspect, but I’ve never actually looked…