The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
Current thoughts on current lenses
Near perfect lenses are easy to find these days. The problem is… I don’t want them. I want lenses...
Affordable-ish Pro Cine Prime Lenses
Ten years ago if you were “indie”, you kludged together some fast still prime lenses for your cinema camera...
Reality: it’s completely overrated
There’s no such thing as a reality show, only unreality shows. The more unreal, in some cases, the better....
Sigma Cine Zoom Lens Review: 18-35mm and 50-100mm
Is there a better subject for a shooter than their own three-month-old baby? During these early months of fatherhood, Sigma...
Cine Gear Expo: Cool Stuff
Cine Gear Expo, the two-day show on the Paramount lot in Hollywood, is the best place to see industry...
Gallery: PNW Lens Summit 2017
On Saturday, May 13, Koerner Camera hosted the PNW Lens Summit 2017, gathering glass from all over in one...
Lenses: My Likes, Dislikes, and the Return of the Cooke Speed Panchro
Every lens has a feel and a purpose. Some reproduce the world perfectly, some imperfectly. They all have their...
Fujinon goes Fuji X-Mount With Cine Style Zooms: NAB 2017
At NAB 2017 Fujinon showed off their Cine style zoom lens the MK 18-55 T2.9 not only in the...
Atlas Lens Co. “Affordable” Anamorphic Primes at NAB 2017
“Anamorphic for all of us.” This is the backbone of the Altas Lens Co. The company behind the newly...
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