Cooke Anamorphic Lenses Bring Class and Character to a Clean Digital World
I remember the first time I worked in anamorphic. I’d landed a job as “A” camera operator on a...
SLR Magic Announces 8mm F4 Micro 4/3 Lens For Aerials
SLR Magic announced an ultra wide 8mm F4 Micro 4/3 lens designed for gimbals, 360VR, and Drones cameras. For...
New Xenon FF-Prime Cine-Tilt Lenses
Schneider-Kreuznach introduced an entire new Cine-Tilt lens line-up. The new Xenon FF-Prime Cine-Tilt lenses each come with ± 4°...
SIGMA Announces New Cine Lenses
The SIGMA CORPORATION is pleased to announce that it will enter into the cinema lens market with the release...
Samyang: new 35mm F1.2 Photo and Cine Lenses
Samyang Optics has announced the new manual focus lenses for APS-C and Micro Four Thirds mirrorless cameras: a 35mm...
P+S Technik Announces 70-200 1.5x Anamorphic Zoom Lens
At Cine Gear 2016 P+S Technik added a second Cinemascope lens to their repertoire. The New 70-200mm anamorphic zoom...
Zeiss: aspherical lenses for mobile video
The new accessory lens kit for the iPhone, jointly developed by Zeiss and ExoLens, is the first aspherical lens...
P + S Technik’s 1.5x 35-70mm Anamorphic Zoom
There I stood in Wooden Camera’s booth at NAB 2016. The woman in front of me cocked her head...
PVC Talks To SLR Magic About 2 New PL Lenses: NAB 2016
I little over a year ago SLR Magic announced, and produced, the APO-HyperPrime CINE 50mm T2.1 PL Cinema Lens. It...
Anamorphics and Blackmagic’s URSA Mini: NAB 2016
Found in the new UI is the option to turn the 16:9 4.6K Super 35mm sized sensor into a...
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