Everything you need to know about REDCODE RAW
RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the...
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
SanDisk: a 1TB Flash Drive and other portable storage solutions revealed at CES 2018
The 1TB USB Type-C flash solution was not the only “world’s first” announced at CES 2018, as SanDisk also...
RED Weapon: the last profile for the year
A camera profile for the RED Weapon with a Helium 8K sensor is FilmConvert’s last offer for 2017, while...
Panavision takes large-format filmmaking to Camerimage
A Masterclass by Oscar-winner John Toll, ASC, an 8K workshop, screening of DXL footage in HDR format and demonstrations...
Nikon’s D850 in development with 8K time-lapse
Successor to the D810, which has been highly praised by its users, the D850 is engineered with a range...
Panavision’s new Primo Artiste lenses
Eleven focal lenghts for 8K, a new HDR viewfinder, a new filter and a iPhone app to control the...
RED takes Guardians of the Galaxy to Cine Gear Expo
Two panels featuring Henry Braham, BSC, Dean Devlin and Red Bull Media House will star on the cultural side...
The Truth and Hype on 4K, 8K, UHD and HDR
Beyond 4K most viewers will never appreciate the detail on their TV screens, simply because while image resolutions on...
