8k
RED showcases DSMC2 camera brain with three sensor options at IBC 2018
RED’s “one brain, three sensors” solution will be the highlight of the company’s presence at IBC 2018: the MONSTRO 8K VV, HELIUM 8K S35 and GEMINI 5K S35…
The new premium footage collection from Pond5 is shot on RED
Global content marketplace Pond5 has a new premium footage collection planned, an initiative providing RED filmmakers with the opportunity to share their video work with a global audience. The new…
Detu MAX: world’s first 3D 8K 360 VR camera with AI
The deep learning algorithm that powers the Artificial Intelligence of the Detu MAX enables real-time face tracking and also stitches together the videos inside the camera – without the…
Do the new SD Express cards mean the end of SSDs?
Imagine an SD card with a capacity of 128 TB, able to deliver up to 985 MB/sec transfer rate, while keeping compatibility with existing billions SD hosts in the…
NAB 2018: What Caught My Eye
NAB 2018 didn’t showcase any startling new tech — no new minivan-sized light-field camera; no “Billy Lynn’s Long Halftime Walk” — but it was…
AMD Radeon Pro SSG graphics accelerates 4K and 8K workflows
The new version of Adobe Premiere Pro CC, launched at NAB 2018, offers native support for AMD Radeon Pro SSG graphics, allowing users to achieve a dramatic acceleration of 4K…
Explore 8K with Panavision at SXSW 2018
Panavision’s Dan Sasaki, Aaron Kroger and Sean Dunckley will be present for an interactive discussion about 8K large format during a Panavision presentation at SXSW. The South by Southwest…
Everything you need to know about REDCODE RAW
RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the codec becomes more efficient as the resolution increases. The technology REDCODE…
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When I started out in the film business—at a time…
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of my local rental houses, Videofax, recently took…
