Production
NAB 2019: A Look at the Pipeline Reflect Series from BB&S Lighting
Not long ago we showcased the new Pipeline Reflect System from BB&S Lighting, utilizing the same 95 TLCI (3200°K, 4300°K or 5600°K), accurate color rendering…
NAB 2019: Area 48 Color LED RGBWW from BB&S Lighting
The BB&S Area 48 Color has been designed to set a higher standard for dial-in, full-color as well as true white accuracy. With a similarly small…
NAB 2019: The Teradek Bolt 4K Enables Wireless 4K Transmission
Teradek had a number of firsts at NAB 2019, but the most significant is arguably the first wireless 4K transmission that is now a reality thanks to the Bolt 4K…
NAB 2019: Rare Re-Built Angenieux Lenses From Zero Optik
Alex Nelson of Zero Optik seems to always be carrying a rare or newly rebuilt, rehoused, specialty cinema lens cinematographers dream about to lens their next project. NAB 2019 was…
NAB 2019: Sigma Mirrorless Products Facilitate the Creation of the L-Mount
At NAB 2019, the PVC team stopped by the Sigma booth to explore how Sigma, Leica and Panasonic have collaborated to create the L-Mount Alliance. Their goal is to…
NAB 2019: A Look at the Panasonic AK UC 4000
We already took a look at the EVA Live from Panasonic, but the Panasonic AK UC 4000 is an entirely different animal. It’s a 4K studio camera with…
NAB 2019: Canon Image Stabilization in new 8.5-128mm F/2.5 B4 4K Lens
Finally! If there was one thing, and just one thing, I have wanted in 2/3 B4 zoom lens it has always been an Image Stabilizer in the lens. I…
NAB 2019 – Panasonic EVA Live Takes a Cinema Style Camera and Adds Studio Camera Features
At NAB 2019, the PVC team stopped by the Panasonic booth to take a look at EVA Live from Panasonic and get a sense of how it fits into a…
NAB 2019: Introducing Sumire Prime Lenses From Canon
Sumire, pronounced “Soo-mee-ray,” is the name of a Japanese flower, and like the petals of a flower, these lenses are most beautiful when fully opened. Once you open…
Tokina Vista One lenses, a limited edition
Tokina debuted at NAB 2019 its very special limited run set of lenses of the Cinema Vista One collection. The full frame Vista One lenses in this series depart from…
Tokina 50-135mm T2.9 mk II Cine Zoom: lighter, more compact and cheaper
With a much smaller footprint than the old 50-135mm lens, the new Tokina 50-135mm T2.9 mk II Cine Zoom Lens features rebuilt mechanics, a smaller diameter…
Blackmagic Design NAB press conference and DaVinci Resolve 16
This is some random thoughts as I sit here and listen to the Blackmagic NAB 2019 press conference. Specially I’m curious about Resolve and the big Resolve 16 banner…
NAB Preview: Fujifilm Premista FF zooms
The night before the NAB show opened, Fujifilm previewed their new Premista full-frame cine zooms (they were first shown off at the ASC Clubhouse a few days ago). The…
NVIDIA RTX and game-changing workflows invade NAB 2019
From virtual sets and on-air graphics to 8K video editing, NVIDIA will be at NAB 2019 powering demos for over 85 partners on the show floor. Where is a…
Adobe Premiere Rush: The Editing Choice For PVC’s NAB Coverage
Fast and easy. On our phones or a laptop. Always in a rush. This is life as we know it covering the National Association of Broadcaster Show (NAB) in Las…
