The 2018 guide to SSD and HDD portable drives
First Look – Rampant Style Kits
We’re all about value for our dollar(s) these days. Whether it’s in the the plug-ins we buy, the storage...
Awesome Hue Sampling in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training the differences between color sampling with color...
Let’s Edit with MC – Keying Part 3 – BCC Primatte Studio Basics
In this lesson, Kevin P McAuliffe talks about taking your Chroma Keying workflows to the next level, by using...
ART OF THE CUT: editing Grand Tour and Top Gear with Dan James
One of the most popular shows on the planet was the BBC’s Top Gear. When that show left the...
How to shoot and create aerial 360 panoramas – Part 1
With all the recent interest in 360º VR technology, cameras like the Ricoh Theta S and the new GoPro...
Ultra-D: 4K glasses-free 3D at CES 2018
Some say 3D is dead, others believe it is just starting. This edition of CES will, again, reveal new...
Review: LiveU Solo
A few weeks ago I was given the LiveU “Solo” live streaming device to test and review. They told...
Creating Color Contrast Looks in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how to use the extensive new color...
Entrepreneurialism: Taking the Leap
Today we’re walking about how to build a business, an unusual topic for PVC to be sure. You can...
Let’s Edit with Media Composer – Chroma Keying Part 2 – SpectraMatte
In this lesson, Kevin P McAuliffe continues the discussion on Chroma Keying by talking about the SpectraMatte effect.
The Best of ProVideo Coalition: 2017
2017 saw a number of major developments for the industry as a whole, and many of those updates were...
Let’s Edit with Media Composer – FrameFlex and Larger than HD Image Sequences
In this lesson, Kevin P McAuliffe answers a viewer question about working creating Pan & Zooms with image sequences...
Combating Computer Vision Syndrome
More than anything, editors and motion graphic designers have one tool that more important than anything, and that is...
ART OF THE CUT on editing JUMANJI: Welcome to the Jungle
When you’re discussing editing of a tentpole movie with a lot of VFX, tons of footage and a tight...
