The next-generation CineAlta, from Sony, will be a 36x24mm full frame camera, aspect ratio-agnostic, designed in collaboration with industry...

Art of the Cut delivered several interviews – per our readers’ requests on docs, trailers and indies) but we’re...

This week marked a very special milestone for the video production team over at Videoguys.com. On Tuesday, May 30th,...

A Drive For All Reasons Writing about hard drives like writing about tires. You need tires, good ones. The...

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...

For many years, I have been intrigued with microphones, and one particular type is the head mounted variety. Few...

Have you ever needed to export all the clips in your Final Cut Pro X timeline as separate, individual...

Media teacher, Dave Basulto, was tired of the limitations put on his classes due to the low number of...

Designed to meet the demanding needs of filmmakers and TV production users, the new Canon’s offer the ease of...

Interactive video cards, customizable end screens and extended email capture are the next step when it comes to Vimeo...

The new Canon EOS C200 introduces a new RAW recording format: Cinema RAW Light. Smaller file sizes saved internally...

Plug-ins are a staple of life for After Effects users.  For me, at least, I’m always super excited when...

Recently introduced by Schneider-Kreuznac, the RHOdium Full Spectrum Neutral Density family of filters, will be on display at Cine...

Two days after entering the random drawing at NAB 2017, award-winning photojournalist and cinematographer Lance Murphey received a message:...